| uses documentation as a way of drawing. Photographs, models, sketches, specimens, notes - together create an aggregated journal. This journal is the enduring record of many long walks, and tracks the evolution of thoughts and perception. Phenomena are documented according to habit, serendipity and curiosity. |
| explores the notion of the hybrid. Blurring the compositional boundaries of animal, vegetable and mineral. |
| constructs fragile structures from natural remains, findings and waste. Dried brambles and discarded prunings wound and bound in arabesques describe the vital forces of water, flight and rampant growth that generated her material. Her arrangements invoke these volatile states with the lightness of a flower arrangement. |
| loves birds and paper. Her work includes small studies in watercolour and large prints. The watercolours are brisk studies, not always intended as final works, more as flurries of colour and gesture that capture the elusive nature of her subjects. The large prints float on the wall, unfettered by frames. Resolved in themselves, they are echoed by proofs, used as remnants in collaborative works. |